Sheer Music #AOTY 2017

It’s that time of the year again, #TeamSheer run through their favourite albums of the year. Turns out after reading last years top 10 again, I’ve listened to a lot more music this year, and I’m much happier for it. You can head over to TheColourOfVinyl to see the run downs, but here’s my list, with explanations… Let’s get cracking.

10. Gnarwoles – Outsiders (BSM)

My first listen of the album was “difficult second album” after Chronicles of Gnarnia simply bolted the first EPs together, before their self titled debut proper, both absolute belters. So this was always going to be a tough ask, but after repeated listens the album not only stood up, but became a bit of a fav. 10 tracks, 30 minutes and a Placebo parody.

Their set at 2000 Trees was absolute killer too. A band hitting their stride.

 

9. Kamikaze Girls – Seafoam (BSM)

This duo came out of nowhere for me. I hadn’t bothered with the earlier EP (you can’t listen to everything) but I found myself with some spare cutter burning a hole, and decided to pick it up, and from the off I loved it. First listen, I loved the tones, the songs, the message. For me it was pure, as I knew nothing else about the band, so it was with subtle intrigue I also caught their set at 2000 Trees, and they were superb.

They have promised to play for us at some point too………..

 

8. Heartwork – Things I Wish I’d Said (Aaahh!! Real Records)

Dan O’Dell crowd funded this debut album, and in no small part that came form a lot of the regulars that come to our shows in both Devizes and Swindon. Dan has done a lot of shows for us, supported some great acts and really built himself a nice niche in our local scene. Heartwork’s last EPs were more than splendid so finally having an album to really express himself on, Things I Wish I’d Said, was a huge step up and step forward, which is hugely encouraging of things to come. 

Whisper it… there may be a second album, and a full band show in 2018. 

 

7. And So I Watch You From Afar – The Endless Shimmering (Sargent House)

Now on their 5th album and no real reinventions of their sound here, this album is still a glorious cacophony of noise. I recently caught them at Bristol’s Thekla, supported by Gallops, and it was a fantastic show. The best parts of this album easily stack up with their back catalogue. 

 

6. Paul Draper – Spooky Action (K-Scope)

I was a HUGE Mansun fan. Apparently not as crazy as some, but crazy enough to pledge to vault recordings being pressed up. A looooong time ago Paul, Mansun’s front man admitted that he had material for a solo album, and that it would be called Spooky Action. I waited patiently for it’s release, and finally this year it saw the light of day.

To be honest, I struggled with it to begin with. The singles were excellent, but first impressions of the album didn’t instantly satisfy me. After speaking to the only other Mansun freak I knew, Phil Cooper, I stumbled across the reason why. I kept wanting it to sound like Mansun, and obviously it doesn’t. There’s no Chad. Once overcoming this obstacle, I “got” the album, and I loved it. Perhaps not quite as much as I loved Mansun albums, but certainly up there. Shortly after, I managed to catch Paul Draper on his solo tour. A tour that was mired by ill-conceived comments on social media before it even started, gave me an internal tussle over how I felt about art and artist, but I managed to settle that with myself, and enjoyed the gig. Hearing those Mansun songs made me pine for the band soooo bad, but hearing his own material made me realise all was good. After that tour Paul announced another solo tour and a live performance for the debut Mansun album, forgoing any support slots. Amazing idea, and dream come true for super fans.

I’m going with Phil, and we will have a whale of a time.

 

5. Gallops – Bronze Mystic (Blood & Biscuits)

Ahhh, now this is a band. I first caught Gallops at the International Bicycle Convention at the Barbican. They were performing in the foyer, and they were utterly awesome! A live drummer, syncopated guitars and keys, a beast of a drummer, a wall of noise. Epic. I bought the EP, 7″ and double LP, and then they split in 2013. Fast forward 4 years, and the band have reformed, recorded a new album, and then toured with ASIWYFA. The 4 year gap was worth it, as they’ve lost none of their power, despite a line up change.

 

4. Alpha Male Tea Party – Health (Big Scary Monsters) 

This was another stab in the dark, having had some extra moula in my pocket I decided to plunge for this, and I’m glad I did. More in the vein of ASIWYFA, Gallops, That Fucking Tank etc style, a sound that could only have been made by a northern band, Alpha Male came with sounds and tones never heard before, and a penchant for tunes.

There wasn’t a single duff track on the album, and the epic album closer, complete with repetitive vocal line was just glorious. I even managed to sneak a live show in Trowbridge in as a warm up to their Arc Tan Gent performance. What make the whole shabang even better is that they are thoroughly, thoroughly bloody lovely people.

 

3. Ben Marwood – Get Found (Xtra Mile) 

Ahhhh Ben & I go waaaaaaaaaaayyyyyyyyy back, to just after his first EP (that upon checking has been white washed from his history!), right back to the beginning of Sheer Music some 14 years ago. We met on a band forum (remember those?) and I fell in love. Skip forward 14 years and without doubt we are listening to a musician that’s fully & comfortably grown into his sound, but still hinting at more to come. Stand out track of Ben’s year is arguably “Safe Mode” and that wasn’t even on this excellent 3rd album!

 

2. Japandroids – Near To The Wild Heart Of Life (Anti-)

The album opens with the stunning line “she kissed me like a chorus” and doesn’t let up over their standard 8 track records. Another band not to reinvent their sound, but instead focus on delivering quality and a distilled perfect version of what they are. To me this is inspirational road trip music, that equally soundtracks a night time city-scape as it does a daytime desert drive. This record makes me want to ditch everything, pick up my car keys and find an adventure. Powerful stuff.

 

1. TALL SHIPS – IMPRESSIONS (FatCat Records) 

I pre-ordered this album the day it was available. 2x LP with etching on side 4. Super-uber limited edition vinyl! It’s an investment! This is a band that will go down cherished in the annuals of British rock. A bit of a grower on me, as it took a number of listens to get under my skin (a familiar theme this year… maybe you need to try a little harder to get better rewards?). At times I wanted more bombast, at others I wanted the songs to get going quicker, but upon repeated plays I realised that each song was just perfect in it’s own way. I’m literally still spinning this album daily, along with a few others above and it still sounds fresh. 

 

 

Special mentions to Tellison for their re-issue of their debut album Contact! Contact!, and to Oceansize for their re-issue of Effloresce. UBER special mention to Mark Morriss for his 3rd solo album, “Look Up” that I rightly couldn’t include in the top 10 because I’m on it. Hand claps and oohs & arrs, and you know, that would be bias. 

Some awesome EPs released this year, certainly being lead by Southampton’s Sean McGowan. His vinyl EP Graft and Grief was a belter.

So that’s it. What does 2018 hold in store? You know, with everything else going on, I have no idea what’s due…. but I’m sure I’ll catch up.

See you at Xmas x x 

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Metronomy – Sheer’s first video upload!

I recently took the wife out for a dirty weekend in London, I say dirty as a suggestion that “relations” went on, but in all reality the city is just filthy, and not you dtty dtty grrl type filthy, just plain squalor.

Anyway, we paid an enormous amount to “self service” our book in and key to our Travel lodge room, leaving me wondering why we paid so much in the first place, since there was no service – and no breakfast included. Shame on you travel lodge. But, if you ever wanted to share a room with your mates, it’s easy to sneak as many in as possible in the early hours of the morning!

Anyway, we went to The Barbican centre, in central London, signal light failure on the tube – no surprise there. Paid the £8 for a single, got forced off at next stop, ranted and raved at next station and was let through. Neat. Got off and had to navigate on foot – followed a fit boy and girl, who seemed to know where they were heading.

The venue is self is lovely, had some lovely arty things going on, very similar to what you would see in Devizes on the August bank holiday weekend. Neat. A double archers and lemonade and a Bulmers cost £12.50, not so neat. Gallops played in the main hall, and were stunning – and to think it was free entry, I was surprised it wasn’t busier, but hay ho – when you got that many distractions in a city like that, then the audience was in fact very good! 200+ in the bar area, if not more & those were the one’s who didn’t pay to see Metronomy.

Metronomy – SLACK stewards and ticketing left me wondering why I had spent £40 on two tickets, but when we took our seats – centre stage, 2nd row, I forgave – probably the best view I’ve ever had of a show this size. Epic. SBTRCT the opening DJ who improvised to an animated video of various things riding bikes like, Octopuses, Blobs, Witches, Elephants and a hot air balloon (!!) etc. There was also a bikes eye view of really fast cycling in between traffic, which ended in the poor sole rubbing his face across the pavement, in to an aching hiss from the crowd.

But finally, Metronomy took to the stage – opening in unusual fashion with a never heard before untitled new song which seemed loose and possibly nervously performed, sounding disjointed. The set otherwise, even with 2 or 3 more new songs was an aural treat. Culminating in a stirring rendition of Radio Ladio, which has the crowd on it’s feet (even the mum who had bought her kids to the show, who read a book throughout) and sang along triumphant glory. See Zoe’s video below!